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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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PHOTOGRAPHY (COLOR) sa PHOTOCHEMISTRY (COLOR) sa PHOTOGRAPH COLORING sa PHOTOGRAPHIC FILM (COLOR) sa PHOTOGRAPHIC PAPER (COLOR) sa PHOTOGRAPHIC PRINT MAKING (COLOR) x COLOR PHOTOGRAPHY xx PHOTOGRAPHY How to take good color pictures. Color graphics from any computer. How to achieve full-color photography from a black-and-white display using the color-separation technique. Be your own critic. How to bracket exposures with color film and what results to expect. Knowledge of color film variables and the role of bracketing will help eliminate technical goofs. Then you can consider controlling composition, use of color and picture content. Color on a cloudy day. A searching look at what impact cloudy days do and do not have on color pictures. How to add color to black-and-white images using the dye-coupling (chromogenic) process. Tip: How to include a color checker in a picture when one square of the checker is larger than the subject. Color development and dye formation stages found in color photography are discussed. Making masterful color internegatives. Part 1. Duplication principles. Making masterful color internegatives. Part 2. Duplication procedures. Making masterful color internegatives. Part 3. How to use the system when no gray/white card transparency exists. Controlling color balance (when taking color slides). Part 1. Neutral balance, selective absorption. Effects of exposure and filters are viewed. Controlling color balance (when taking color slides). Part 2. Metering, consistency, duplication. Understanding color variability. When is gray not gray? Color printing and how we see. How our perception of color prints are affected by the light in which they are viewed. Make surreal color prints by photographing on infrared color slide film and then printing on paper intended for color negatives. Make unique pictures by sandwiching lithographic sheet film prints with colorful painted backing sheets. Fluorescent tubes which can be used for the inspection of color photographic prints are suggested. Four-color process work made simple. How to make color separations in your 35mm camera without the need for total darkness. A successful photo lab shares tips for better color processing results. Communicating with your color lab. Save time and money by telling your lab exactly what you need. Includes tips on how to specify proportion, exposure, color, enlargements, etc. Improving color image stability. A general discussion including some tips. Color photography for reproduction. A photographer's guide to understanding the four "C's" of good printed color reproduction. Create new and exciting color pictures using the "wrong" light with "improper" films. Really permanent color is not easy to get. The surest way is to make your own three-color separations. Create interesting color photos by placing colored plastic in front of your floodlight or flash. Tips on selecting and controlling daylight (natural light) in critical color filming. Tips on using natural color to its best advantage. Tips on improving the role of color in your photos. Discussion of color-image stability and techniques for lengthening the life of color films. New simple way to test color accuracy of slides or prints. Check film, lenses and processing yourself using the Macbeth ColorChecker Color Rendition chart. Tip: Use paint charts as inexpensive color test targets. Tips on overexposing to get better image quality with color print film. Photography and the purkinje shift. The effect of the purkinje shift on the perception of color under low-light-level viewing conditions. Navigating the road to color photographic fidelity. Part 1. Innate characteristics of human vision and photographic films which make accurate color rendition problematical. Navigating the road to color photographic fidelity. Part 2. Aspects of color photography that you can do something about. How to use Kwik-Print materials to make color separation negatives or abstract and multicolored posterized prints. Color. How it works and how to use it in photography. How to make topographical contour maps (isophote maps) out of your best slides or negatives. Generate a series of high-constrast separation negatives and rephotograph thru color filters. Taking photos which use colors as special effects. Grain is beautiful. How to use the grainy effect of the latest high-speed color film to your advantage. Tri-color exposures. Produce a color photo by taking three b&w photos through color separation filters. Colorvision. Seeing the true character of color. How color, saturation and lightness evoke certain emotional responses to a photograph. Six great ways to incorporate grain into color photos in order to achieve a more "artistic" appearance. Tri-color trickery. How to make multiple exposures through three different colored filters to produce tricolor images. Seeing. A special section on how to improve your ability to see good photos. Looks at color, composition, perspective, etc. Tri-color. New thoughts on the three-filter technique show how to get predictable results and produce exciting new effects. How to make color photos using the three-filter (tri-color) technique. How to photograph green-color objects using a point-and-shoot camera. Digital enhancement and color correction of photographs. Some tips on getting started. How to choose and use a processing laboratory. Using the Macbeth ColorChecker color rendition test target. Techniques for preventing overall blue cast in color pictures taken outdoors during the winter. How to control contrast when taking color pictures in order to make better color prints from slides and negatives. Less is more. How to use soft colors to make a strong visual statement. Various techniques for softening the brilliant color recorded by modern films. Advice on selecting equipment, film, and lenses when shooting color indoors. Zoom in on tricolor. Shoot through three filters and you can be a brushless color painter. How to make unique tricolor photographs using a zoom lens. Tips on minimizing the green tint caused when taking color pictures indoors under fluorescent lights using a point-and-shoot camera. Six tips for improving color photos at the time they are taken. Wheel your way to vibrant color. Using an artist's color wheel may improve your ability to "see" a good color photo opportunity. The psychological effects of color. How the use of color influences photographs. Experiments with Edwin Land's method of getting color out of black and white by making black and white transparencies through color filters and then projecting them superimposed on a screen with a single filter. Includes a Color Checker chart to use in the experiments. When good prints go bad. How to track down and solve your color print problems. | |||||||||
Copyright © by Norman Lathrop Enterprises. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means (electronic, mechanical, print photocopying, recording or otherwise) without the prior expressed permission of Norman Lathrop Enterprises, except as permitted by law. |
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